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During the 2025-2026 academic year, the scientific committee of the Pluriel network is organizing a double event on the theme “Ethics and Aesthetics in Islamic Heritage”, which will include a webinar on October 16, 2025 at 4:00 PM (Paris time), as an introduction to the international congress to be held in Córdoba, Spain, from February 10 to 14, 2026.
Ethics (aḫlāq) and aesthetics (ǧamāliyya) play a central role in Islamic thought and heritage. In the Islamic tradition, ethics is engaged in the pursuit of virtue and harmony with divine principles. The works of al-Ġazālī often serve as a reference point, frequently examined through the synthesis of moral and spiritual virtues deployed in his writings (Moosa). Similarly, the ethics of Ibn Miskawayh, particularly in his Tahḏīb al-aḫlāq, influenced by Greco-Arabic philosophy, has been the subject of numerous studies and commentaries (Arkoun). In this vein, Muḥammad ʿAbduh’s Risālat al-tawḥīd presents an innovative reflection on ethics by linking the rational and spiritual principles of Islamic monotheism to the quest for a harmonious society founded on justice and individual freedom. For its part, Islamic aesthetics explores expressions of beauty in art, architecture, and poetry, often connected to a spiritual and symbolic quest. Works such as Oleg Grabar’s studies on Islamic art, Navid Kermani’s exploration of the aesthetic experience of the Quran, and Christiane Grubber’s analysis of the rhetoric of images in Islam demonstrate the richness of this field.
While both concepts are significant in Islam, they are generally studied separately. For instance, ethics has been analyzed from the perspective of moral philosophy or mysticism, while aesthetics has been the focus of research on art or artistic practices. Very few studies have sought to understand their articulation, their interweaving, their tensions, and the implications of this relationship for Islamic heritage. This lacuna is what this Congress intends to fill. By seeking to investigate the deep and sometimes ambivalent links between ethics and aesthetics in Islamic contexts (Arab, Persian, Turkish, Chinese, etc.), it will adopt an interdisciplinary, comparative, and dialogical approach encompassing both intra-Islamic and interreligious perspectives. It will also consider how these relationships illuminate contemporary issues related to identity, representations, and cultural dialogue.
The originality of this Congress lies in its ambition to explore the connections between ethics and aesthetics in Islam: how do these two dimensions intertwine in practices, representations, and discourses? How are they in tension? What are the conceptual and methodological challenges researchers face in contemplating their articulation?
Drawing on historical, cultural, and artistic examples, this Congress aims to explore questions such as the interconnection between ethics and aesthetics in Islamic heritage, the application of aesthetic values in daily life, the instrumentalization of art for purposes of power or religious exclusivism, the integration of art as a space for encountering the Other, theological reflections for an ethics concerned with a heritage hospitable to alterity, and the reconciliation of creative freedom with ethical responsibility.
This theme aims to explore the historical dimensions of the relationships between ethics and aesthetics in Islamic heritage, the relationship to speech and its truth, and the place of their articulation within philosophy and Sufism.
Historical Studies on Islamic Art and Associated Ethical Concepts: What links can be established between the ethics of artistic creation and the aesthetic norms developed within Islamic civilization? For example, how do geometric decorations, calligraphy, and medieval architecture convey moral and spiritual values? To what extent do they respond to a moral imperative?
Language, Aesthetics, and Truth: How does the Quranic text articulate aesthetics, ethics, and the quest for truth? In what way does Quranic rhetoric, through the notion of iʿjāz (inimitability), mobilize stylistic perfection as a vector of doctrinal and ethical authority? What theological or philosophical debates do these notions provoke?
Analysis of Classical and Contemporary Texts: The works of thinkers such as al-Fārābī, al-Ġazālī, and Ibn ʿArabī offer rich perspectives on the articulation between beauty, ethics, and spirituality. For instance, al-Ġazālī explores how sensory beauty can be a pathway to understanding divine beauty, while Ibn ʿArabī emphasizes a mystical aesthetics linked to the contemplation of divine Unity. Today, the reflections of Seyyed Hossein Nasr fit within a thought that articulates beauty and spirituality.
This second theme focuses on the concrete expressions of the articulation between ethics and aesthetics in daily life, examining practices, representations, and limits imposed by religious and cultural norms.
Impact of Religious Prohibitions on Forms of Aesthetic Expression: A reflection on the ethical justifications of prohibitions affecting iconography, architecture, music, or other arts, in connection with current theological and legal debates.
Beauty and Daily Practices: Whether in housing, textiles, craftsmanship, or clothing, how do aesthetic choices reflect ethical values? For example, “Modest fashion” can be treated as a contemporary illustration of this articulation between aesthetics and ethics, where clothing combines respect for religious principles with aspirations for the expression of a modern Islamic identity.
Boundaries Between Religious and Secular Art: For example, one might start with dance or theater, which, although sometimes perceived as secular forms of expression, constitute aesthetic spaces where Islamic ethical values are articulated. For instance, certain Sufi dances, such as samāʿ or the whirling dervishes’ dance, are manifestations of spiritual devotion that undergo reinterpretation or adaptation in contemporary times. Similarly, theatrical traditions like the passionate taʿziya narratives in Iran or certain contemporary plays derive from religious themes and use theater as a vehicle for ethical and spiritual reflection.
This third theme explores how aesthetics can be a source of hospitality towards the Other or an expression of its rejection, a space for constructive encounters or domination.
Relationships Between Aesthetics and Power: How can art become a tool in service of an ethical project or, conversely, be perceived as a space for transgression? This involves examining how art can be used to support ethical and social projects while questioning its potential role in contestation, particularly in Street art. On the link between art and power, recent authors such as Mohamed Iqbal or Sayyid Quṭb can be considered.
Heritage and Hospitality of Alterity: How can Islamic aesthetic legacies contribute to a more open and inclusive ethics in a context of cultural and religious diversity? Islamic aesthetic heritage, particularly through its architecture, calligraphy, and visual arts, is a terrain of hospitality and encounter with the Other. For example, the tradition of welcoming in the architecture of mosques, caravansaries, or Quranic schools invites encounters with the Other, whether believer or non-believer. Additionally, Islamic heritage and its interactions with other cultures and religions can be examined, such as in Andalusia where Christian and Jewish architectural elements were integrated into Muslim structures. Furthermore, in contemporary contexts where Muslim architecture coexists with public spaces of non-Islamic culture, the question arises of how to design buildings that dialogue with their cultural environment, akin to architectural projects like the Grand Mosque of Paris or the Islamic Center of Manhattan.
Interreligious and Intercultural Dialogue: How is Islamic art a space for encountering the Other, as well as a means to explore identity tensions and possible bridges between different traditions? In Islam, the question of representing the Other, particularly Christian or Jewish figures, has given rise to complex reflection on the boundaries of representation. This dialogue can also be observed in contemporary art, where Muslim artists use religious or historical symbols intertextually to foster encounters between different traditions. The influence of pre-Islamic aesthetic traditions (Persian, Hellenistic, Byzantine, and Syriac) on the emergence of a distinctly Islamic aesthetics and its ethical resonances can be studied. Additionally, artistic exchanges between the Muslim and Christian worlds, particularly in architecture and decorative arts during medieval and modern periods, can be explored. The impact of contemporary art in Muslim societies, where artists use traditional symbols to reflect on identity tensions in a globalized world, can also be analyzed.
Registration before November 15, 2025 automatically qualifies for reduced rates.
Are you a student? Attend the webinar and apply for a grant to attend the congress in Córdoba in February 2026
As part of its 5th international congress in Córdoba, the scientific committee is offering grants to students wishing to attend the congress. The grants, in the amount of €1,200, will cover accommodation costs for selected candidates from February 10 to 14, 2026 in Córdoba.
Candidates will be selected based on participation in the webinar organized by the scientific committee on October 16, 2025 at 4 PM, focusing on the issues of Ethics and Aesthetics: Continuities, Transformations and Reinventions in Muslim Societies.
During the webinar, three researchers, Maria del Mar Griera Llonch, Emilio Gonzalez Ferrin, and Mohamed El Maâzouz, will present their analyses of the issues. The presentations will be given in three different languages (English, French, Arabic) and translations will be available.
Students wishing to be selected for the Córdoba congress must submit a research paper synthesizing the arguments presented by the speakers during the webinar.
Research paper objectives:
Format:
Deadline:
Evaluation criteria:
Total points /20
We encourage students to draw on the knowledge gained during the webinar and to conduct additional research to develop a scientific, well-argued and original analysis.
Submitted papers will be evaluated by the PLURIEL scientific committee, which will select the grant recipients to participate in the Córdoba congress.
The committee will meet on December 4, 2025 to review the applications. Results will then be communicated to candidates electronically.
We thank you for your interest in our congress and strongly encourage you to participate in the webinar, which presents an excellent opportunity to obtain a grant and attend an international scientific event.
As a student, I would like to apply for a scholarship to cover part of the congress registration fees. Should I register for the congress now?
No, we invite you to wait until mid-December for a response from Pluriel regarding your scholarship application.
As a speaker, I have requested funding support. Should I register for the congress now?
If funding support has been confirmed, Pluriel will send you a discount code by September to use when registering for the congress. If in doubt, please contact us.
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