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University platform for research on Islam

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Ethics and Aesthetics in Islamic Heritage

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During the 2025-2026 academic year, the scientific committee of the Pluriel network is organizing a double event on the theme “Ethics and Aesthetics in Islamic Heritage”, which will include a webinar on October 16, 2025 at 4:00 PM (Paris time), as an introduction to the international congress to be held in Córdoba, Spain, from February 10 to 14, 2026.






Are you a student? Attend the webinar and apply for a scholarship to participate in the congress in Córdoba.

Argument

Ethics (aḫlāq) and aesthetics (ǧamāliyya) play a central role in Islamic thought and heritage. In the Islamic tradition, ethics is engaged in the pursuit of virtue and harmony with divine principles. The works of al-Ġazālī often serve as a reference point, frequently examined through the synthesis of moral and spiritual virtues deployed in his writings (Moosa). Similarly, the ethics of Ibn Miskawayh, particularly in his Tahḏīb al-aḫlāq, influenced by Greco-Arabic philosophy, has been the subject of numerous studies and commentaries (Arkoun). In this vein, Muḥammad ʿAbduh’s Risālat al-tawḥīd presents an innovative reflection on ethics by linking the rational and spiritual principles of Islamic monotheism to the quest for a harmonious society founded on justice and individual freedom. For its part, Islamic aesthetics explores expressions of beauty in art, architecture, and poetry, often connected to a spiritual and symbolic quest. Works such as Oleg Grabar’s studies on Islamic art, Navid Kermani’s exploration of the aesthetic experience of the Quran, and Christiane Grubber’s analysis of the rhetoric of images in Islam demonstrate the richness of this field.

While both concepts are significant in Islam, they are generally studied separately. For instance, ethics has been analyzed from the perspective of moral philosophy or mysticism, while aesthetics has been the focus of research on art or artistic practices. Very few studies have sought to understand their articulation, their interweaving, their tensions, and the implications of this relationship for Islamic heritage. This lacuna is what this Congress intends to fill. By seeking to investigate the deep and sometimes ambivalent links between ethics and aesthetics in Islamic contexts (Arab, Persian, Turkish, Chinese, etc.), it will adopt an interdisciplinary, comparative, and dialogical approach encompassing both intra-Islamic and interreligious perspectives. It will also consider how these relationships illuminate contemporary issues related to identity, representations, and cultural dialogue.

The originality of this Congress lies in its ambition to explore the connections between ethics and aesthetics in Islam: how do these two dimensions intertwine in practices, representations, and discourses? How are they in tension? What are the conceptual and methodological challenges researchers face in contemplating their articulation?

Drawing on historical, cultural, and artistic examples, this Congress aims to explore questions such as the interconnection between ethics and aesthetics in Islamic heritage, the application of aesthetic values in daily life, the instrumentalization of art for purposes of power or religious exclusivism, the integration of art as a space for encountering the Other, theological reflections for an ethics concerned with a heritage hospitable to alterity, and the reconciliation of creative freedom with ethical responsibility.

Research Themes

Theme 1: Ethics and Aesthetics in Islamic Heritage: History, Language, and Philosophy

This theme aims to explore the historical dimensions of the relationships between ethics and aesthetics in Islamic heritage, the relationship to speech and its truth, and the place of their articulation within philosophy and Sufism.

Historical Studies on Islamic Art and Associated Ethical Concepts: What links can be established between the ethics of artistic creation and the aesthetic norms developed within Islamic civilization? For example, how do geometric decorations, calligraphy, and medieval architecture convey moral and spiritual values? To what extent do they respond to a moral imperative?

Language, Aesthetics, and Truth: How does the Quranic text articulate aesthetics, ethics, and the quest for truth? In what way does Quranic rhetoric, through the notion of iʿjāz (inimitability), mobilize stylistic perfection as a vector of doctrinal and ethical authority? What theological or philosophical debates do these notions provoke?

Analysis of Classical and Contemporary Texts: The works of thinkers such as al-Fārābī, al-Ġazālī, and Ibn ʿArabī offer rich perspectives on the articulation between beauty, ethics, and spirituality. For instance, al-Ġazālī explores how sensory beauty can be a pathway to understanding divine beauty, while Ibn ʿArabī emphasizes a mystical aesthetics linked to the contemplation of divine Unity. Today, the reflections of Seyyed Hossein Nasr fit within a thought that articulates beauty and spirituality.

 

Theme 2: Aesthetics, Ethics, and Daily Life: Prohibitions, Representations, and Practices

This second theme focuses on the concrete expressions of the articulation between ethics and aesthetics in daily life, examining practices, representations, and limits imposed by religious and cultural norms.

Impact of Religious Prohibitions on Forms of Aesthetic Expression: A reflection on the ethical justifications of prohibitions affecting iconography, architecture, music, or other arts, in connection with current theological and legal debates.

Beauty and Daily Practices: Whether in housing, textiles, craftsmanship, or clothing, how do aesthetic choices reflect ethical values? For example, “Modest fashion” can be treated as a contemporary illustration of this articulation between aesthetics and ethics, where clothing combines respect for religious principles with aspirations for the expression of a modern Islamic identity.

Boundaries Between Religious and Secular Art: For example, one might start with dance or theater, which, although sometimes perceived as secular forms of expression, constitute aesthetic spaces where Islamic ethical values are articulated. For instance, certain Sufi dances, such as samāʿ or the whirling dervishes’ dance, are manifestations of spiritual devotion that undergo reinterpretation or adaptation in contemporary times. Similarly, theatrical traditions like the passionate taʿziya narratives in Iran or certain contemporary plays derive from religious themes and use theater as a vehicle for ethical and spiritual reflection.

 

Theme 3: Aesthetic and Ethical Legacies: Tensions, Dialogues, and Hospitality

This third theme explores how aesthetics can be a source of hospitality towards the Other or an expression of its rejection, a space for constructive encounters or domination.

Relationships Between Aesthetics and Power: How can art become a tool in service of an ethical project or, conversely, be perceived as a space for transgression? This involves examining how art can be used to support ethical and social projects while questioning its potential role in contestation, particularly in Street art. On the link between art and power, recent authors such as Mohamed Iqbal or Sayyid Quṭb can be considered.

Heritage and Hospitality of Alterity: How can Islamic aesthetic legacies contribute to a more open and inclusive ethics in a context of cultural and religious diversity? Islamic aesthetic heritage, particularly through its architecture, calligraphy, and visual arts, is a terrain of hospitality and encounter with the Other. For example, the tradition of welcoming in the architecture of mosques, caravansaries, or Quranic schools invites encounters with the Other, whether believer or non-believer. Additionally, Islamic heritage and its interactions with other cultures and religions can be examined, such as in Andalusia where Christian and Jewish architectural elements were integrated into Muslim structures. Furthermore, in contemporary contexts where Muslim architecture coexists with public spaces of non-Islamic culture, the question arises of how to design buildings that dialogue with their cultural environment, akin to architectural projects like the Grand Mosque of Paris or the Islamic Center of Manhattan.

Interreligious and Intercultural Dialogue: How is Islamic art a space for encountering the Other, as well as a means to explore identity tensions and possible bridges between different traditions? In Islam, the question of representing the Other, particularly Christian or Jewish figures, has given rise to complex reflection on the boundaries of representation. This dialogue can also be observed in contemporary art, where Muslim artists use religious or historical symbols intertextually to foster encounters between different traditions. The influence of pre-Islamic aesthetic traditions (Persian, Hellenistic, Byzantine, and Syriac) on the emergence of a distinctly Islamic aesthetics and its ethical resonances can be studied. Additionally, artistic exchanges between the Muslim and Christian worlds, particularly in architecture and decorative arts during medieval and modern periods, can be explored. The impact of contemporary art in Muslim societies, where artists use traditional symbols to reflect on identity tensions in a globalized world, can also be analyzed.

Introductory Webinar

Thursday, October 16, 2025

As an introduction to the international congress in Córdoba from February 10 to 14, 2026, the Pluriel scientific committee is organizing a webinar on the theme “Ethics and Aesthetics in Islamic Heritage: Continuities, Transformations and Reinventions in Muslim Societies”.
4:00 PM (Paris time)
Introduction: Beate Bengard
Member of the Pluriel scientific committee, Associate Professor of Systematic Theology at the Autonomous Faculty of Theology, University of Geneva
Maria del Mar Griera Llonch
Spanish sociologist, Associate Professor at the Faculty of Political Science and Sociology, Autonomous University of Barcelona
Emilio Gonzalez Ferrin
Professor of Arab and Islamic Thought at the University of Seville, Director of Research on Comparative Religions and the History of al-Andalus
Mohamed El Maâzouz
Moroccan anthropologist
Conclusion: Wasim Salman
Member of the Pluriel scientific committee, Syrian-Italian academic, President of the Pontifical Institute for Arabic and Islamic Studies (PISAI) in Rome

Congress

Tuesday, February 10, 2026

Official opening of the congress
Evening
Welcome cocktail

Wednesday, February 11, 2026

Theme 1: Ethics and Aesthetics in Islamic Heritage: History, Language, and Philosophy
This theme aims to explore the historical dimensions of the relationships between ethics and aesthetics in Islamic heritage, the relationship to speech and its truth, and the place of their articulation within philosophy and Sufism.
9:00 AM-10:00 AM
Inaugural conference
10:00 AM-11:30 AM: Panel 1
Room 1
French
Yacine Baziz
Paris Sorbonne Nouvelle
Comparative and Intertextual Study: The Mirror Structure of Ibn Ḥazm’s K. al-Aḫlāq wa-l-Siyar
French
Ali Mostfa
Catholic University of Lyon
From Verb to Virtue: Ibn Ḥazm and the Aesthetics of Discourse
English
Amr Zakaria Abdallah
Cairo University
Critical perspectives on Ibn Hazm’s Ṭawq al-Ḥamāma in Arab literary discourse
Arabic
Chadi Kahwaji
Saint Joseph University in Beirut
The Semiotics of Discourse in the Badīʿ Movement: Ethical Manifestations in the Aesthetics of Rhetorical Artistry
Room 2
French
Natalia Jiménez-Arroyo
IE University
Ethics and Aesthetics of Law in al-Risāla: A Classical Inspiration for Thinking About the Judicial Function in the Era of Artificial Intelligence
French
Essaid Labib
Chouaib Doukkali University
Aesthetics and Political Ethics of Islamic Thought: Towards a New Reading of Averroes
French
Constance Arminjon
EPHE-PSL
Spiritual Poetry, Hermeneutics and Theology in Contemporary Shi’ite Iran: Sorush, Shabestari and Malekiyan in the Shadow of Rumi
11:30 AM-12:00 PM
Break
12:00 PM-1:30 PM: Panel 2
Room 1
French
Mounia Ait Kabboura
University of Sherbrooke
Averroes and the Universal Intellect: Ethics of Truth and Aesthetics of Thought in the Andalusian Heritage
Spanish
Bruno Martin Baumeister
Universidad Pontificia Comillas
Particularization in Islamic Finance Law: A Reflection on the Notions of Form and Function
Room 2
French
Salma Rouyett
Mohammed 5 University Rabat
Spiritual Eroticism and Erotic Spirituality in Sufi Mysticism
Arabic
Ahmed Kaza
Chouaib Doukkali University
The Gnostic Configuration of Aesthetic Values – Ibn Arabi
French
Aziz Hilal
University of Bordeaux III
The Foundations of Beauty in al-Fārābī’s Thought
1:30 PM-3:00 PM
Lunch
3:00 PM-4:30 PM: Panel 3
Room 1
Arabic
Ridouane Bisdaoune
Ibn Zohr University
Fakhr al-Din al-Razi: From Bodily Healing to Spiritual Aesthetics—A Study of the ‘Epistle on Condemning Worldly Pleasures
French
Yesmine Karray
ENS Lyon
Beyond the Lawfulness of Ecstasy: The Poetry of samāʿ as an Aesthetic and Cognitive Experience in al-Ghazālī
Arabic
Khaled Mohamed Abdou
Universidad de Sevilla
The Divine Attributes of Kindness and Beauty: Foundations of the Spiritual Diaries of Ruzbehān Baqlī
Room 2
Arabic
Toni Kahwaji
Saint Joseph University
Annihilation in Beauty, Subsistence in Ethics: The Unity of Unveiling and Moral Cultivation in Ibn Arabi’s Experience
French
Faisal Kenanah
University of Caen Normandy
Ethics and Aesthetics in the Thought of Abū Ḥayyān al-Tawḥīdī (d. 414/1023)
French
Florence Ollivry
Ibn Haldun University
The Contemplation of God’s Signs According to Ibn Barrajān of Seville: Toward the Foundations of an Ethics Respectful of the Natural World
4:30 PM-5:00 PM
Break
Evening
Special activity – “The Soul of Córdoba” (sound and light show)

Thursday, February 12, 2026

Theme 2: Aesthetics, Ethics and Daily Life: Prohibitions, Representations and Practices
This second theme focuses on the concrete expressions of the articulation between ethics and aesthetics in daily life, examining practices, representations, and limits imposed by religious and cultural norms.
9:00 AM-10:00 AM
Conference – Theme 2
10:00 AM-11:30 AM: Panel 1
Room 1
French
Wael Tahhan
Paris 1 Panthéon-Sorbonne University
Ġaḍḍ al-baṣar as a Paradigm for Islamic Aesthetics: Interpretations and Perspectives
French
Henda Ghribi
University of Tunis
The “New Veils”: Articulating Ethics and Aesthetics in Tunisian Society
French
Nada Amin
Lumière Lyon 2 University
Aesthetics, Ethics and Identity: Women’s Bodies as Sites of Debate in Contemporary Egypt
11:30 AM-12:00 PM
Break
12:00 PM-1:30 PM: Panel 2
Room 1
French
Maria Luisa Cipolla
P.I.S.A.I.
Contemporary Egypt and the value of the arts: between approval, criticism and reconciliation. A comparison between Nasr Hamid Abu Zayed, Yussef al Qaradawy and Hisham al Naggar
French
Clémence Guinot
PISAI
Art in the Face of Authoritarian Discourses: The Contribution of Nasr Hamid Abu Zayd
French
Emmanuel Pisani
OIB Cairo
Ethics and Aesthetics in Zamalek Art Galleries: Contemporary Perspectives on and Reinterpretations of Islam and Muslim faith
Room 2
French
Mohamed Ben Mansour
ENS Lyon
Defining Beauty in Islam: Oscillation Between Submission to and Transgression of Ethical Norms
French
Laure Zeghad
University of Rouen
Poetics and Aesthetics of Transgression in The Forty Rules of Love: The Body, Music, and the Figure of the Sufi Poet
French
Hicham Belhaj
Sidi Mohamed Ben Abdellah University
The Aesthetics of Arabic Calligraphy as Ethical Expression: Between Spirituality, Knowledge Transmission and Intercultural Dialogue
1:30 PM-3:00 PM
Lunch
3:00 PM-4:30 PM: Panel 3
Room 1
Spanish
Jaime Flaquer
Universidad Loyola
Political and Religious Anarchism in the Musical Forms of Rebel Islam: From Rap to Taqwacore
English
Dirk Ansorge
Sankt Georgen Graduate School
From the Regulation of Religious Sound to its Transformation into Light: Public Debates, Legal Discussions and Architectural Perspectives on the Adhan
English
Youssef Boutahar
École Normale Supérieure-Fès
The Ethics, Aesthetics, and Politics of Sufi Music in Morocco: The Fes Sacred Music Festival as A Case Study
Room 2
French
Noureddine Fadily
Hassan I University
Foregrounding an Evolving Islamic Heritage: Literary Ethics and Aesthetics in Najib Redouane’s Under the Sky of Oran
French
Mehidi Mansour
Ibn Khaldoun University
The Convergence of Aesthetic and Moral Values in al-Hariri’s Maqamat
French
Siham Amraoui
Graduate Center – CUNY
Sufi Ethics and Dystopian Aesthetics in Naguib Mahfouz’s The Journey of Ibn Fattouma
6:00 PM
Activity – Reception / visit to Casa Árabe

Friday, February 13, 2026

Theme 3: Aesthetic and Ethical Legacies: Tensions, Dialogues and Hospitality
This third theme explores how aesthetics can be a source of hospitality towards the Other or an expression of its rejection, a space for constructive encounters or domination.
9:00 AM-10:00 AM
Conference – Theme 3
10:00 AM-11:30 AM: Panel 1
Room 1
French
Jean Patrick Nkolo Fanga
Al Mowafaqa Institute
Dance(s), Spirituality(ies) and Religions: Stakes and Challenges for Developing Interreligious Dialogue Practices in Contemporary Africa
French
Rémi Caucanas
PISAI
The Malês Carnival: Traces of an Ethics of Muslim Resistance
French
Manoël Pénicaud
CNRS – Centre Jacques Berque
Fostering Dialogue Between Works of Art from an Anthropological and Interreligious Perspective: The Case of the Seven Sleepers and Shared Holy Places
Room 2
French
Haoues Seniguer
Sciences Po Lyon
On Ethics and Aesthetics in the Literature of the (Neo-)Muslim Brotherhood, from Hassan al-Banna (1906-1949) to Yūsuf al-Qaraḍāwī (1926-2022): Some Situated Reflections
English
Naveed Sheikh
University of Keele
The Sword, the Script, and the Spectacle: Aesthetics of Jihad in Classical and Contemporary Islam
English
Michaela Quast-Neulinger
University of Innsbruck
This is our body! Bodily Ethics and Aesthetics of Community Making in Contemporary Christian-Muslim Neo-Integralism(s)
11:30 AM-12:00 PM
Break
12:00 PM-1:30 PM: Panel 2
Room 1
French
Marie-Laure Davigo
Independent researcher
The Kaaba and the Holy Sepulchre in Images: Pilgrimage Souvenirs as Visual Memory
French
Claudio Monge
Faculty of Theology of Bologna
Hagia Sophia in Constantinople: Aesthetics of the Sacred and Modernity
Arabic
Nadine Abbas
Saint Joseph University
The Veneration of Icons and Its Religious and Moral Implications: Theodore Abu Qurrah and al-Mu’taman ibn al-‘Assal as Case Studies
Room 2
French
Raja Sakrani
University of Bonn
Aesthetics of Living Together: Visualizing an Islamic Ethics of Otherness in al-Andalus
Spanish
Carmen González Gutiérrez
University of Córdoba
The Andalusi Heritage of Córdoba and Its Contribution to Capabilities for Well-being: An Ethical-Educational Proposal
French
José Luis Llaquet de Entrambasaguas
Loyola Andalucía
“The Spirit of Córdoba” as a Response to the Ethical Challenges of Islamic-Christian Dialogue in the 21st Century
1:30 PM-3:00 PM
Lunch
3:00 PM-5:00 PM: Panel 3
Room 1
French
Beate Bengard
University of Geneva
“Welcome to Hell” – Eschatology in the Literary Work of Dzevad Karahasan
French
Gabriel Khairallah
Saint Joseph University
Hospitality, Power and Interreligious Dialogue in Children of Our Quarter by Naguib Mahfouz
Arabic
Assia Chekireb
Abdel Kader University
The Ethics-Beauty Duality as a Horizon for Coexistence and Christian-Islamic Dialogue: A Reading of Contemporary Islamic Literature
Spanish
Gracia López Anguita
Universidad de Sevilla
Landscape and Architecture as Occasions for Contemplation and Interreligious Dialogue in the Travel Accounts of the Sufi ʿAbd al-Ghānī al-Nābulūsī (d. 1731)
Late afternoon
Closing of the congress

Saturday, February 14, 2026

Excursion to Granada: Guided tour of the Alhambra (full day)

Webinar

Congress

Registration before November 15, 2025 automatically qualifies for reduced rates.


Are you a student? Attend the webinar and apply for a grant to attend the congress in Córdoba in February 2026


As part of its 5th international congress in Córdoba, the scientific committee is offering grants to students wishing to attend the congress. The grants, in the amount of €1,200, will cover accommodation costs for selected candidates from February 10 to 14, 2026 in Córdoba.


Candidates will be selected based on participation in the webinar organized by the scientific committee on October 16, 2025 at 4 PM, focusing on the issues of Ethics and Aesthetics: Continuities, Transformations and Reinventions in Muslim Societies.


During the webinar, three researchers, Maria del Mar Griera Llonch, Emilio Gonzalez Ferrin, and Mohamed El Maâzouz, will present their analyses of the issues. The presentations will be given in three different languages (English, French, Arabic) and translations will be available.


Students wishing to be selected for the Córdoba congress must submit a research paper synthesizing the arguments presented by the speakers during the webinar.


Research paper objectives:

    1. Present a clear and coherent synthesis of the presentations by Maria del Mar Griera Llonch, Emilio Gonzalez Ferrin, and Mohamed El Maâzouz.


    1. Analyze the arguments put forward by the speakers and compare them with other sources.


    1. Analyze, using personal research, the issues related to the dynamics of continuity, transformation or reinvention of the relationship between ethics and aesthetics in contemporary Muslim societies, as raised during the webinar.




Format:

    1. Word count must be between 2000 and 2500 (13000-17000 characters including spaces).


    1. The paper must be written in French, English or Arabic.


    1. The document must be submitted electronically, in PDF and Word format.




Deadline:

    1. The submission deadline is November 17, 2025.




Evaluation criteria:

    1. Synthetic presentation (6 points)
        • Clear and concise synthesis of the presentations /3


        • Coherence in the presentation of ideas /3



    1. Analysis of arguments (8 points)
        • Understanding and analysis of the speakers’ arguments /4


        • Use of additional sources to compare arguments /4



    1. Evaluation of issues or impacts (6 points)
        • Clear identification of the chosen theme /3


        • In-depth analysis of the issues or impacts concerning the chosen theme /3





Total points /20


We encourage students to draw on the knowledge gained during the webinar and to conduct additional research to develop a scientific, well-argued and original analysis.


Submitted papers will be evaluated by the PLURIEL scientific committee, which will select the grant recipients to participate in the Córdoba congress.


The committee will meet on December 4, 2025 to review the applications. Results will then be communicated to candidates electronically.


We thank you for your interest in our congress and strongly encourage you to participate in the webinar, which presents an excellent opportunity to obtain a grant and attend an international scientific event.

As a student, I would like to apply for a scholarship to cover part of the congress registration fees. Should I register for the congress now?
No, we invite you to wait until mid-December for a response from Pluriel regarding your scholarship application.
As a speaker, I have requested funding support. Should I register for the congress now?
If funding support has been confirmed, Pluriel will send you a discount code by September to use when registering for the congress. If in doubt, please contact us.